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Buildings and houses are also indicated on several of the atlases, sometimes with numbers that signify the number of stories in the house. Suffolk County New York libraries, organizations, and societies have placed a considerable number of historical newspaper titles online.

Rochester, New York Midtown Plaza 1963

This set of Newspapers can be searched from their websites and we provide details of online editions available, along with each specific title. Expect errors, so if you have an approximate date and cannot find the information, then check the corresponding issues of the local newspaper. The first will recorded in Suffolk County is that of Josiah Stanborough, who lived at Sagaponack, in the town of Southampton.


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At that time the town was under the jurisdiction of Connecticut, and the probate was according to the laws of that Colony. It may be found in the second volume of Southampton records. Looking for information on ancestors of John Hamilton Rhodes b. Looking for info. Would like to know who he was married to and who his parents were. Your email address will not be published.

Vital Records Outside of New York

Notify me of follow-up comments by email. Notify me of new posts by email. Leave this field empty. Skip to content. They have placed these online as part of the Digital Long Island Collection. Most of these account books pertain to East Hampton and the area surrounding it on Long Island. It was the most informative Journal On Long Island.

Pallister, Village Historian Complete 63 page text. Published July 4, This is the definitive history of Shoreham Village by the son of Claude V. Much of the early history of the Incorporated Village was witnessed first-hand by the author. This is an excellent history of Shoreham, its natural history and settlement, as well as the evolution of Shoreham Village and its institutions. The author is a long-time resident of Shoreham Village and a widely recognized educator and principal retired in the Shoreham-Wading River School District.

This is a well-referenced, scholarly work, but it is also very well-written, readable and widely illustrated. The Suffolk County alms-house as it is. This company, started in by D. Sanborn was the major provider of maps to the insurance industry for more than a hundred years. These maps show buildings and are coded to indicate the type of construction, such as, wood or steel frame. Suffolk County NY Newspapers Suffolk County New York libraries, organizations, and societies have placed a considerable number of historical newspaper titles online.

Marriages of Suffolk County, N. It also includes over 4, people cremated elsewhere and whose cremains are in niches at the columbarium.

New York Birth, Marriage, Death Records and More

This list includes website address, phone and address contact for each township of Suffolk County. Issued at the start of the Great Depression , the records did not sell and did not lead to national recognition.

Locally, House remained popular, and in the s, together with Patton's associate Willie Brown , he was the leading musician of Coahoma County. There he was a formative influence on Robert Johnson and Muddy Waters. Work for the Library of Congress and Fisk University. The following year, he left the Delta for Rochester, New York , and gave up music.

In , a group of young record collectors discovered House, whom they knew of from his records issued by Paramount and by the Library of Congress. With their encouragement, he relearned his repertoire and established a career as an entertainer, performing for young, mostly white audiences in coffeehouses, at folk festivals and on concert tours during the American folk music revival , billed as a "folk blues" singer.

Life Records - Rochester Public Library

He recorded several albums, and some informally taped concerts have also been issued as albums. House died in House was born in the hamlet of Lyon , north of Clarksdale, Mississippi , [5] the second of three brothers, and lived in the rural Mississippi Delta until his parents separated, when he was about seven or eight years old. His father, Eddie House, Sr. He was a church member but also a drinker; he left the church for a time, on account of his drinking, but then gave up alcohol and became a Baptist deacon.

Young Eddie House adopted the family commitment to religion and churchgoing. He also absorbed the family love of music but confined himself to singing, showing no interest in the family instrumental band, and hostile to the blues on religious grounds. When he was in his early teens, they moved to Algiers, New Orleans. Recalling these years, he would later speak of his hatred of blues and his passion for churchgoing he described himself as "churchy" and "churchified". At fifteen, probably while living in Algiers, he began preaching sermons. At the age of nineteen, while living in the Delta, he married Carrie Martin, an older woman from New Orleans.

This was a significant step for House; he married in church and against family opposition. The couple moved to her hometown of Centerville, Louisiana, to help run her father's farm.


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After a couple of years, feeling used and disillusioned, House recalled, "I left her hanging on the gatepost, with her father tellin' me to come back so we could plow some more. In later years, he was still angry about his marriage and said of Carrie, "She wasn't nothin' but one of them New Orleans whores". House's resentment of farming extended to the many menial jobs he took as a young adult. He moved frequently, on one occasion taking off to East Saint Louis to work in a steel plant. The one job he enjoyed was on a Louisiana horse ranch, which later he celebrated by wearing a cowboy hat in his performances.

However, he fell into habits which conflicted with his calling—drinking like his father and probably also womanizing. This led him after several years of conflict to leave the church, ceasing his full-time commitment, although he continued to preach sermons from time to time. In , at the age of 25, House underwent a change of musical perspective as rapid and dramatic as a religious conversion.

In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson his recollections differed , playing bottleneck guitar , a style he had never heard before. He immediately changed his attitude about the blues, bought a guitar from a musician called Frank Hoskins, and within weeks was playing with Hoskins, McCoy and Wilson.

Another source of inspiration was Rube Lacey , [11] a much better known performer who had recorded for Columbia Records in no titles were released and for Paramount Records in two titles were released. In an astonishingly short time, with only these four musicians as models, House developed to a professional standard a blues style based on his religious singing and simple bottleneck guitar style.


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Around or , he had been playing in a juke joint when a man went on a shooting spree, wounding House in the leg, and he allegedly shot the man dead. Upon his release in or early , House was strongly advised to leave Clarksdale and stay away. Coincidentally, the great star of Delta blues, Charley Patton , was also in virtual exile in Lula, [17] having been expelled from his base on the Dockery Plantation. With his partner Willie Brown , Patton dominated the local market for professional blues performance.

Vital Records

Patton watched House busking when he arrived penniless at Lula station, but did not approach him. Patton invited House to be a regular musical partner with him and Brown. House formed a liaison with Knight, and both musicians profited from association with her bootlegging activities. They consider that House's musicianship was too limited to play with Patton and Brown, who were also rumoured to be estranged at the time.

They also cite one statement by House that he did not play for dances in Lula. Along with Patton came House, Brown, and the pianist Louise Johnson, all of whom recorded sides for the label.